These Three M Night Shyamalan Movies are Famous for Being Bad, But They are also Three of my Favorite Films of All Time
M. Night Shyamalan is a divisive film maker. Both genius trailblazer, and derided producer of turkeys in equal measure, his films at least get us talking.
So let’s delve into the enigmatic world of M. Night Shyamalan, where twists and turns await at every corner. While some critics have dismissed these films as his weakest, I believe they hold a unique charm and all hold a place in my all time top 20. Buckle up as we explore the visual style, particularly focussing on the colour symbolism, and unsettling tones of three of Shyamalan’s most intriguing works: “Lady in the Water,” “The Happening,” and “Old.”
Who knows; maybe these insights will
encourage you to give these films a second chance?
1. “Lady in the Water” (2006): A Watery Fable
An Unconventional Fairy Tale
“Lady in the Water” is a fractured fairy tale that defies
convention. Shyamalan weaves a whimsical narrative rooted in mythology, where a
water nymph (narf) seeks refuge in our world. The film’s visual style mirrors
its fantastical premise. The color palette oscillates between cool blues and
warm golds, evoking the ethereal and the mundane. The aquatic setting—whether a
swimming pool or a rain-soaked forest—immerses us in a dreamlike atmosphere.
Color Symbolism
- Blue:
Represents the mystical and otherworldly. The pool becomes a portal to the
narf’s realm.
- Gold:
Symbolizes hope, destiny, and the narf’s purpose. The golden hue surrounds
our protagonist, Cleveland Heep (Paul Giamatti), as he discovers his role
in this fable.
Unsettling Tone
Shyamalan masterfully blends whimsy with unease. The
unsettling tone arises from the juxtaposition of the ordinary (apartment
complex) and the extraordinary (mythical creatures). The narf’s vulnerability
contrasts with the menacing tree monkeys, creating an eerie tension. The film’s
self-awareness—embodied by the critic character Mr. Farber—adds a layer of
meta-commentary, blurring the line between reality and fairy tale.
2. “The Happening” (2008): Nature’s Wrath
A Quiet Apocalypse
“The Happening” thrusts us into an inexplicable crisis:
people losing their minds and committing suicide. Shyamalan’s visual style
emphasizes the ordinary—suburban streets, train stations, and open fields. The
color palette shifts from serene greens to ominous grays, mirroring the gradual
descent into chaos.
Color Symbolism
- Green:
Initially represents tranquility and nature. Later, it morphs into dread
as the plants turn against humanity.
- Gray:
Signifies uncertainty, fear, and decay. The world becomes a graveyard.
Unsettling Tone
Shyamalan’s restraint amplifies the horror. The absence of
traditional action scenes heightens the tension. The wind, carrying an
invisible threat, becomes a character itself. The film’s quietude forces us to
confront our vulnerability in the face of nature’s wrath.
3. “Old” (2021): Time’s Cruelty
A Beach of Nightmares
“Old” transports us to a secluded beach where time
accelerates, aging its visitors rapidly. Shyamalan’s visual style oscillates
between serene beauty and visceral horror. The color palette shifts from warm
yellows to cold blues, mirroring life’s fleeting moments.
Color Symbolism
- Yellow:
Represents life, vitality, and the sun. The beach’s initial allure.
- Blue:
Signifies melancholy, inevitability, and the passage of time. The sea
becomes a metaphor for eternity.
Unsettling Tone
Shyamalan’s pacing is deliberate, allowing dread to seep in.
The rapid aging process is both fascinating and horrifying. The beach, a
paradise turned nightmare, forces characters to confront their mortality. The
film’s final revelation leaves us pondering the fragility of existence.
In Shyamalan’s universe, the ordinary conceals the
extraordinary, and colors speak volumes. These supposedly “weakest” films offer
hidden depths for those willing to dive in. So, next time you watch one of
these, keep an eye out for the subtle hues and unsettling undertones—they might
just reveal more than meets the eye.
Disclaimer: No bees were harmed during the writing of
this article.
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